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A woman stops in front of a mirror,
she questions herself, inquires into the traces that her eyes have become, and what she sees paralyzes her. The reflex on
the crystal tells her of a story full of dreams, full of promises, children and prosperity, but empty of passion.
That
woman is Maria Ines. Nothing of what has occurred in her twenty seven years of marriage was moved by her own dreams. Her entire
life has been one of dedication to her husband and children. She is fifty and her husband has found in another woman, half
his age, freshness and intimacy. To his mistress he gives the vitality he thought was lost, to his wifne tiredness and failure.
That man is Ignacio Millan. Maria Ines look at her present and discovers loneliness, although Paulina, her best friend encourages
her to keep on living. She is surrounded by complaining grown ups (her children) and a mother that tells her she has not been
capable of keeping her family together. She is Mamalena, Evangelina Elizondo. But Maria Ines is not alone. Someone starts
looking for her. A man who is twenty years younger. This man is Alejandro, Ari Telch. Writer, father of a boy, with an enormous
desire to plat life a treat, Alejandro is a man that fights in hie emotions and his work against hypocresy, falsehood or prohibition.
This is "Mirada de Mujer". An intimate story that none of us had the opportunity to view "through the keyhole". "Mirada
de Mujer" is different, of the present time, its unbearable as only a mirror can be.
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